Instrumental, European, FranceĪ French musette waltz that takes an emotional journey with accordion, ukulele, acoustic guitar and acoustic bass. WORDS OF COMFORT - (by Skip Peck ) Year: 2009Ī tender and childlike French musette waltz that soothes and comforts in a very fun and energetic way featuring acoustic guitar lead, ukulele, electric piano and acoustic bass. Also works for muzak applications or for commercial background, Instrumental, European, FranceĪ slightly rueful yet inspiring French musette waltz with piano, acoustic guitar, bowed bass, accordion and clarinet. Sensual and mysterious, fashionable and youthful, sophisticated and somehow traditional this music sets the background for love, travel, adventure, fashion and more. Music that captures the romantic, ever-youthful vibe of modern Paris. Families, kids, lovers, tourists, honeymoon or weekend touring wine country, Instrumental, European, France Paris travel montage, cultural event, sipping wine or visiting the museums and galleries. Seine stroll, left bank shopping, art galleries, chic hotels and bistros. Instrumental, European, FranceįRENCH BLUE VALSE (JAZZY FRENCH WALTZ) - (by Kepha Peter Martin ) Year: 2003 European romance, street scenes, visit to a winery, or time-lapse video in France or other Euro countries. The Onion Seller - Accordion backed by warm strings, upright bass and percussion creates the feel of a relaxed, French village or countryside atmosphere. THE ONION SELLER - (by Colin Willsher ) Year: 2007 Accordion is heavily featured on this mellow track which is suitable for travel, documentary and property programmes.
#French cafe music instrumental down;oad movie
Mainstream music hall and movie stars of the day such as Jean Gabin and Damia add an urbane touch, while Edith Piaf's legendary "L'Accordioniste" still sounds as fresh and poignant as the day it was released.NEW LIFE IN PROVENCE - (by Mark Allaway ) Year: 2007įrench styled piece of music arousing the atmosphere of southern France. Among the other important orchestras on hand are Tony Murena et son Ensemble, Guerino et son Orchestre, Medard Ferrero et ses Clochards, Orchestre Musette Victor, and Gus Viseur et son Orchestre. Emile Vacheur, a much-imitated icon whose precise squeezebox technique featured a trademark quick vibrato, is represented by a delightful pair of melodies. The instrumentals are intensely redolent of an earthier Paris back when it was a festival of intellectual grace, dubious plumbing, and bawdy pleasures, hovering on the perilous brink of war. Although the more cooperative Italian accordion eventually replaced the pipes and fiddles, guitars, and double reeds were later added to the mix, the waltzes and javas retained a defiantly rustic, naïve charm. The performers are barely two generations removed from the homesick Auvergnat (natives of the Auvergne, a mountainous region in southern France) migrant workers who once puffed their imported bagpipes at bar dances. The ambience here is quite different from that of the second set, more like a black-and-white photo by Robert Doisneau than a tourist's color-saturated Polaroid. While the subsequent release, Sound of Paris, concentrates primarily on modern bands, these 18 tracks cover some of the best-known interpreters who were active from 1930 through 1941. This was the first of Music Club's two compilations dedicated to the bal-musette, an accordion-based tradition that, to many, is the very soul of Paris.
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